![]() ![]() In a smart way, Coogler plays with knee-jerk perceptions one look at Oscar driving around in his rig might be enough to convince outsiders, and whites in particular, to be wary of this guy - a paranoid perspective that will rebound with devastating repercussions later when the whites with this attitude turn out to be cops. The film then rewinds several hours to New Year’s Eve, which provides a window into the life of 22-year-old Oscar, who at this point is earnestly trying to pull things together in Hayward after a youth presumably pockmarked by the usual urban ills of gangs, drugs and bad influences. After some scuffling and a lot of shouting, what sounds like a shot is heard, though nothing that’s seen remotely looks to have warranted gunfire. A few angry young black men are being subdued by cops at the Oakland-area Fruitvale BART rapid transit station. Raw phone video footage at the outset presents but does not clarify what happened in the wee hours of New Year’s Day 2009. Netflix: Movies and TV Shows Leaving in November The project’s topicality, qualities and the presence of such connected Hollywood figures as producers Forest Whitaker and Octavia Spencer, the latter of whom plays Grant’s mother, ensure that attention will be paid, and, though commercial prospects are limited, the film certainly will serve as an effective springboard for Coogler, lead actor Michael B. First-time writer-director Ryan Coogler, who, at 26, is the same age his subject would have been today, puts the life of Oscar Grant onscreen with conviction that makes it clear why Grant’s killing became a cause celebre and the springboard for massive protests against police brutality in Oakland. ![]() PARK CITY - The sort of material that you might more readily expect to be covered in a documentary - the true story of a senseless police shooting that takes the life of yet another young urban black man - instead has been made into a powerful dramatic feature film in Fruitvale. We refine our estimates from week to week as more data becomes available.See The Hollywood Reporter’s Live at Cannes video interview with the cast and director below. The consumer spending estimate is based on the average sales price for the title in the retailers we survey. The market share is converted into a weekly sales estimate based on industry reports on the overall size of the market, including reports published in Media Play News.įor example, if our weekly retail survey estimates that a particular title sold 1% of all units that week, and the industry reports sales of 1,500,000 units in total, we will estimate 15,000 units were sold of that title. Our DVD and Blu-ray sales estimates are based on weekly retail surveys, which we use to build a weekly market share estimate for each title we are tracking. R for some violence, language throughout and some drug use.Īfrican Americans, Corrupt Cops, New Year's Day, 2000s, Set in San Francisco, Set in California, Character POV shot, Non-Chronological, Narcotics, Infidelity, Hood Film, Black Urban, Set in Oakland, CA, Social Justice, Biographical Drama, Police Shooting January 14th, 2014 by Anchor Bay Home Entertainment July 12th, 2013 (Limited) by Weinstein Co. See the Box Office tab (Domestic) and International tab (International and Worldwide) for more Cumulative Box Office Records. Latest Ranking on Cumulative Box Office ListsĪll Time Domestic Box Office (Rank 4,201-4,300)Īll Time International Box Office (Rank 9,401-9,500)Īll Time Worldwide Box Office (Rank 5,701-5,800)Īll Time Domestic Box Office for R Movies (Rank 1,401-1,500)Īll Time International Box Office for R Movies (Rank 2,101-2,200)Īll Time Worldwide Box Office for R Movies (Rank 1,701-1,800) theaters, 4.5 weeks average run per theater $900,000 (worldwide box office is 19.5 times production budget)ħ opening theaters/1,086 max. Oscar’s life and tragic death would shake the Bay Area – and the entire nation – to its very core.ģ.51 (domestic box office/biggest weekend) His resolve takes a tragic turn, however, when BART officers shoot him in cold blood at the Fruitvale subway stop on New Year’s Day. Crossing paths with friends, family, and strangers, Oscar starts out well, but as the day goes on, he realizes that change is not going to come easily. Not sure what it is, he takes it as a sign to get a head start on his resolutions: being a better son to his mother, whose birthday falls on New Year’s Eve, being a better partner to his girlfriend Sophina, who he hasn’t been completely honest with as of late, and being aīetter father to Tatiana, their beautiful four-year-old daughter. Oscar Grant is a 22-year-old Bay Area resident who wakes up on the morning of Decemand feels something in the air.
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